পণ্ডিত ফাল্গুনী মিত্র

Pandit Falguni Mitra

A foremost exponent of Dhrupad, the authentic and respected form of Hindusthani Classical music, Pandit Falguni Mitra was initiated into music by his father, Sangeetacharya Pandit Shib Mitra at the tender age of four and a half. Pandit Falguni Mitra combines the Dagar style of “Alaapchari” with the Betia style of Dhrupad and Dhamaar with a distinctive stamp of his own personality.

Possessing a deep, melodious voice, Falguni Mitra has brought about a reformation in this art-form through successful innovations in its melodic structure and rhythmic variations. Unwavering purity of the Raga, imaginative phrases loaded with emotions and nuances, majestic compositions and intricate “laykari” create an aesthetic charm that permeate his vocal renderings.

An erudite and thoughtful musician, Falguni Mitra receives unqualified appreciation for his lecture-demonstations and articles in various journals in the country and abroad.

পণ্ডিত মোহনলাল মিশ্র

Pandit Mohanlal Mishra

One of the famous Raag Marwa vocalist.

Pandit Mohanlal Mishra is one of the greatest vocalists of Hindustani Classical Music. Son of Late Gayancharaya Pandit Damodar Mishra, he is now among the living legends of Indian Classical Gayakii and a legendary figure of ‘Benaras Gharana’. Pandit Mishra is well known for his exposition of Ragas, Bandishes, accompanied by complex Tan, Laykari and Gayakii.

বিদুষী শুভদা পারাদকার

Bidushi Subhada Paradkar

Pandita Shubhada Paradkar is now quite well known to the music lovers throughout the country and abroad also. Both the critics and the “Rasiks” remember her for “Aggressive Gayaki” and proficiency in the “Layakari” which is rarely seen in the female vocalists today.

While her formal music instructions include a M.A. (Music), degree from S.N.D.T. University Mumbai, she has also had the benefit of individual tuitions from different Gurus at different points of her career. Pandita Shubhada Paradkar possesses the unique distinction of learning under all the four major Gharanas of Hindustani Classical Music, which has made her distinctive in the present generation of the artistes.

She is regularly guiding senior students in S. N. D. T. University, Mumbai and Lalit Kala Kendra at Pune University through her workshops and Lecture Demonstrations. She has guided students in Bangkok and given performances at different places in Thailand including Bangkok.

Apart from being a regular performer over Radio (Mumbai) and different channels on Television she has performed throughout the country as well as abroad.

Her concerts are full of lively interaction with the rhythm and also she makes excellent use of semi-classical varieties like Thumri, Bhajan. ‘Tappa’ is another Ace in her concert.